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By Space Force
U.S. Space Command hosted Joint Integrated Space Team leaders for the fifth annual JIST Summit here, August 26-27, 2025.
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By European Space Agency
According to the newly released 35th State of the Climate report, 2024 saw record highs in greenhouse gas concentrations, global land and ocean temperatures, sea levels, and ocean heat content. Glaciers also suffered their largest annual ice loss on record. Data records from ESA’s Climate Change Initiative helped underpin these findings.
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By NASA
Explore This Section Perseverance Home Mission Overview Rover Components Mars Rock Samples Where is Perseverance? Ingenuity Mars Helicopter Mission Updates Science Overview Objectives Instruments Highlights Exploration Goals News and Features Multimedia Perseverance Raw Images Images Videos Audio More Resources Mars Missions Mars Sample Return Mars Perseverance Rover Mars Curiosity Rover MAVEN Mars Reconnaissance Orbiter Mars Odyssey More Mars Missions Mars Home 3 min read
To See the World in a Grain of Sand: Investigating Megaripples at ‘Kerrlaguna’
NASA’s Mars Perseverance rover acquired this image of inactive megaripples at “Kerrlaguna,” Perseverance’s latest target of exploration, on Aug. 13, 2025. The rover acquired the image using its Right Mastcam-Z camera, one of a pair of cameras located high on the rover’s mast, on Sol 1593 — or, Martian day 1,593 of the Mars 2020 mission — at the local mean solar time of 12:05:13. NASA/JPL-Caltech/ASU Written by Athanasios Klidaras, Ph.D. candidate at Purdue University
On Mars, the past is written in stone — but the present is written in sand. Last week, Perseverance explored inactive megaripples to learn more about the wind-driven processes that are reshaping the Martian landscape every day.
After wrapping up its investigation at the contact between clay and olivine-bearing rocks at “Westport,” Perseverance is journeying south once more. Previously, attempts were made to drive uphill to visit a new rock exposure called “Midtoya.” However, a combination of the steep slope and rubbly, rock-strewn soil made drive progress difficult, and after several attempts, the decision was made to return to smoother terrain. Thankfully, the effort wasn’t fruitless, as the rover was able to gather data on new spherule-rich rocks thought to have rolled downhill from “Midtoya,” including the witch hat or helmet-shaped rock “Horneflya,” which has attracted much online interest.
More recently, Perseverance explored a site called “Kerrlaguna” where the steep slopes give way to a field of megaripples: large windblown sand formations up to 1 meter (about 3 feet) tall. The science team chose to perform a mini-campaign to make a detailed study of these features. Why such interest? While often the rover’s attention is focused on studying processes in Mars’ distant past that are recorded in ancient rocks, we still have much to learn about the modern Martian environment.
Almost a decade ago, Perseverance’s forerunner Curiosity studied an active sand dune at “Namib Dune” on the floor of Gale crater, where it took a memorable selfie. However the smaller megaripples — and especially dusty, apparently no longer active ones like at “Kerrlaguna” — are also common across the surface of Mars. These older immobile features could teach us new insights about the role that wind and water play on the modern Martian surface.
After arriving near several of these inactive megaripples, Perseverance performed a series of measurements using its SuperCam, Mastcam-Z, and MEDA science instruments in order to characterize the surrounding environment, the size and chemistry of the sand grains, and any salty crusts that may have developed over time.
Besides furthering our understanding of the Martian environment, documenting these potential resources could help us prepare for the day when astronauts explore the Red Planet and need resources held within Martian soils to help them survive. It is hoped that this investigation at “Kerrlaguna” can provide a practice run for a more comprehensive campaign located at a more extensive field of larger bedforms at “Lac de Charmes,” further along the rover traverse.
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Last Updated Aug 21, 2025 Related Terms
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By NASA
A collaboration between NASA and the small business Aloft Sensing produced a new compact radar system that will enable researchers to leverage High Altitude Long Endurance (HALE) platforms to observe dynamic Earth systems. This new radar is small, provides highly sensitive measurements, and doesn’t require GPS for positioning; eventually, it could be used on vehicles in space.
HALE InSAR flies aboard a high-altitude balloon during a test-flight. This lightweight instrument will help researchers measure ground deformation and dynamic Earth systems. Credit: Aloft Sensing Long before a volcano erupts or a mountainous snowpack disappears, millimeter-scale changes in Earth’s surface indicate larger geologic processes are at work. But detecting those minute changes, which can serve as early warnings for impending disasters, is difficult.
With support from NASA’s Earth Science Technology Office (ESTO ) a team of researchers from the small aerospace company Aloft Sensing is developing a compact radar instrument for observing Earth’s surface deformation, topography, and vegetation with unprecedented precision.
Their project, “HALE InSAR,” has demonstrated the feasibility of using high-altitude, long-endurance (HALE) vehicles equipped with Interferometric Synthetic Aperture Radar (InSAR) to observe changes in surface deformation mere millimeters in size and terrain information with centimetric vertical accuracy.
“It’s a level of sensitivity that has eluded traditional radar sensors, without making them bulky and expensive,” said Lauren Wye, CEO of Aloft Sensing and principal investigator for HALE InSAR.
HALE vehicles are lightweight aircraft designed to stay airborne for extended periods of time, from weeks to months and even years. These vehicles can revisit a scene multiple times an hour, making them ideal for locating subtle changes in an area’s geologic environment.
InSAR, a remote sensing technique that compares multiple images of the same scene to detect changes in surface topography or determine structure, is also uniquely well-suited to locate these clues. But traditional InSAR instruments are typically too large to fly aboard HALE vehicles.
HALE InSAR is different. The instrument is compact enough for a variety of HALE vehicles, weighing less than 15 pounds (seven kilograms) and consuming fewer than 300 watts of power, about as much energy as it takes to power an electric bike.
HALE InSAR leverages previously-funded NASA technologies to make such detailed measurements from a small platform: a novel electronically steered antenna and advanced positioning algorithms embedded within an agile software-defined transceiver. These technologies were developed under ESTO’s Instrument Incubation Program (IIP) and Decadal Survey Incubation (DSI) Program, respectively.
“All of the design features that we’ve built into the instrument are starting to showcase themselves and highlight why this payload in particular is distinct from what other small radars might be looking to achieve,” said Wye.
One of those features is a flat phased array antenna, which gives users the ability to focus HALE InSAR’s radar beam without physically moving the instrument. Using a panel about the size of a tablet computer, operators can steer the beam electronically, eliminating the need for gimbles and other heavy components, which helps enable the instrument’s reduced size and weight.
A close up HALE InSAR fixed to a high-altitude airship. The flat planar antenna reduces the instruments mass and eliminates the need for gimbles and other heavy components. Credit: Aloft Sensing “SAR needs to look to the side. Our instrument can be mounted straight down, but look left and right on every other pulse such that we’re collecting a left-looking SAR image and a right-looking SAR image essentially simultaneously. It opens up opportunities for the most mass-constrained types of stratospheric vehicles,” said Wye.
Using advanced positioning algorithms, HALE InSAR also has the unique ability to locate itself without GPS, relying instead on feedback from its own radar signals to determine its position even more accurately. Brian Pollard, Chief Engineer at Aloft Sensing and co-investigator for HALE InSAR, explained that precise positioning is essential for creating high-resolution data about surface deformation and topography.
“SAR is like a long exposure camera, except with radio waves. Your exposure time could be a minute or two long, so you can imagine how much smearing goes on if you don’t know exactly where the radar is,” said Pollard.
Navigating without GPS also makes HALE InSAR ideal for field missions in austere environments where reliable GPS signals may be unavailable, increasing the instrument’s utility for national security applications and science missions in remote locations.
The Aloft Sensing team recently achieved several key milestones, validating their instrument aboard an airship at 65,000 feet as well as small stratospheric balloons. Next, they’ll test HALE InSAR aboard a fixed wing HALE aircraft. A future version of their instrument could even find its way into low Earth orbit on a small satellite.
Wye credits NASA support for helping her company turn a prototype into a proven instrument.
“This technology has been critically enabled by ESTO, and the benefit to science and civil applications is huge,” said Wye. “It also exemplifies the dual-use potential enabled by NASA-funded research. We are seeing significant military interest in this capability now that it is reaching maturity. As a small business, we need this hand-in-hand approach to be able to succeed.”
For more information about opportunities to work with NASA to develop new Earth observation technologies, visit esto.nasa.gov.
For additional details, see the entry for this project on NASA TechPort.
Project Lead: Dr. Lauren Wye, CEO, Aloft Sensing
Sponsoring Organization: NASA’s Instrument Incubation Program (IIP)
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Last Updated Aug 19, 2025 Related Terms
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By NASA
Across 42 years at NASA, Wade Sisler — executive producer at NASA’s Goddard Space Flight Center in Greenbelt, Maryland—watched the edge of human knowledge progress. During that time, the tools for visualizing and communicating those discoveries evolved just as rapidly.
Executive Producer Wade Sisler has worked at NASA for 42 years, starting at the agency’s Ames Research Center in California’s Silicon Valley, and now at Goddard Space Flight Center in Greenbelt, Md.Credit: Courtesy of Wade Sisler “I’ve spent my career surrounded by people with amazing curiosity and intellect, pursuing questions that could change the way we see the universe, both literally and metaphorically,” Sisler said.
From his start as a student photographer at NASA’s Ames Research Center in California’s Silicon Valley, Sisler ultimately became a creative force behind some of NASA’s most iconic science storytelling. He transitioned to videography when he realized the wonder and understanding the medium could convey.
Photos taken by Sisler between 1985 and 1992 that showcase emerging NASA technologies.Credit: NASA/Wade Sisler “The fidelity of the story you could tell with pictures through video was so impactful,” he said. “It was just pure awe. So I gave up my Hasselblads, trading the sheer beauty of imagery for the much more powerful storytelling tools that came with the emerging field of video — specifically the ability to take the audience with you to experience the mission.”
From Space Frogs to the Eagle Nebula
In the 1980s and ’90s, Sisler worked as a producer on a wide range of projects, translating complex research into short documentaries and educational broadcasts.
“We were helping people see things that had never been seen before, and showing them relationships that they never knew existed,” he said.
In one of his favorite early assignments, Sisler worked with astronaut Mae Jemison for a video project on space frogs. Jemison was studying how frog embryos develop in microgravity on the space shuttle. Sisler also had a hand in early virtual reality systems, producing one of the first videos depicting how VR could work.
Sisler (left) stands alongside coworkers Marty Curry, Eric James, and branch chief Roland Michealis — fellow members of the photography team at NASA Ames.Credit: Courtesy of Wade Sisler Sisler eventually moved from NASA Ames to NASA Headquarters in Washington. There, he helped modernize NASA TV.
“They were shifting it from just mission-oriented content to a television news feed, exploring ideas to align with national news interests,” he said.
In one of his pilot stories, he produced a video and story news package about the Hubble Space Telescope’s observations of the Eagle Nebula.
“They handed me a 16-by-20-inch print of the Eagle Nebula right after Hubble imaged it,” he said. His team used a robotic camera to pan around the image while narration explained what viewers were seeing. “We wondered if we put that little microcosm of a story into a news feed, would anybody use it? And it ended up being used thousands and thousands of times, validating the NASA TV model with a bona fide science story and giving me a glimpse of the exciting stuff I could do.”
While at NASA Headquarters, Sisler also negotiated an IMAX agreement that led to new 3D films (including ones Sisler worked on, like the 1997 “Mission to Mir” and 2002 “Space Station 3D”). After a few years, he moved on to NASA’s Goddard Space Flight Center in Greenbelt, Maryland, in 1997 as an executive producer. Goddard’s communications team was small and had little experience in visual storytelling, so he joined the team to nurture its growth.
Sisler stands alongside Office of Communications collaborators Laura Betz and Thaddeus Cesari at the immersive “Beyond the Light” exhibit of James Webb Space Telescope imagery at ARTECHOUSE in Washington, D.C.Credit: Courtesy of Wade Sisler Science for the Senses
In the late ’90s, Wade teamed up with NASA’s Scientific Visualization Studio (based at NASA Goddard) and lead visualizer Horace Mitchell to explore a new frontier in science storytelling. While NASA was already known for its iconic space imagery, much of its data deals with invisible phenomena or abstract processes that aren’t inherently visual. By bringing together scientists, artists, and producers, Sisler helped transform data into visualizations and animations for broader audiences.
“We had to invent ways of visualizing the invisible so meaning was more easily conveyed,” he said. “The result was stories that were not just newsworthy—they were often stunningly beautiful and showed the connections and workings of the Earth and universe in ways we had never seen before.”
The team had a breakout hit in 1998 with an El Niño visualization, which helped drive public understanding of the phenomenon. Sisler also helped launch a NASA Goddard program to link scientific experts with news stations around the world.
“We wanted to put the authentic voices of scientists in the chair to convey their sense of awe while telling people scientifically why it matters,” he said. “Pairing their voices with great visualizations was an unbeatable combination and that became the fundamental way we tell science stories.”
Sisler’s storytelling journey evolved into increasingly ambitious creative partnerships that brought NASA science to new cultural spaces. With “Cosmic Cycles,” a collaboration with the National Philharmonic, Wade helped create a program that paired music from a live symphony with high-resolution NASA imagery, inviting viewers to experience the celestial scenery emotionally, not just intellectually.
Instead of the NASA Goddard team creating a video to go along with music, “The composer drew inspiration from video produced by Goddard,” Sisler said. “It’s one of the best examples of science and art in mutual orbit.”
From left: Multimedia Producer Scott Wiessinger of NASA Goddard, Sisler, maestro Piotr Gajewski of the National Philharmonic, and composer Henry Dehlinger participate in a panel discussion about “Cosmic Cycles: A Space Symphony,” a collaboration between NASA Goddard and the National Philharmonic.Credit: NASA/Joel Kowsky That blending of science and artistic expression reached a new scale in “Beyond the Light,” an art show developed with ARTECHOUSE and James Webb Space Telescope communications lead Laura Betz. Sisler linked artists with NASA scientists to turn cutting-edge astrophysics into a gallery-scale sensory experience. Most recently, Sisler championed a major documentary on Webb called “Cosmic Dawn.” The 1.5-hour film brings viewers on an unprecedented journey through Webb’s delicate assembly, rigorous testing, and triumphant launch.
Many of NASA’s flagship communication programs trace their roots to small teams that Sisler helped assemble and guide. He took a builder’s approach, rolling up his sleeves, testing ideas, and empowering others to scale them. From science storytelling and satellite media tours to the rise of NASA’s audio storytelling, Spanish-language content, Conceptual Image Laboratory animations, social media presence, and live broadcast programming, Sisler played a key role in turning bright ideas into enduring agency assets.
For each of these projects, Sisler worked behind the scenes as a creative force and a connector, bringing together filmmakers, animators, composers, scientists, engineers, astronauts, museum curators, data visualizers, and educators.
Lighting the Way
Despite many accolades, Sisler said his proudest accomplishment is the success of the internship program he has led for NASA Goddard’s Office of Communications.
Sisler has served as a mentor for many interns over the years, including students like Talya Lerner, center, standing next to Ed Campion, then-Goddard news chief. Sisler has referred to his own career as “the internship that never ended” because he had so many opportunities to explore different areas of communications. Credit: NASA/Bill Hrybyk “The thing that stays with me most is seeing where our former interns have landed,” he said. Many now lead their own programs within NASA, shaping the next generation of science storytelling from inside the agency. Others have taken their skills beyond NASA, contributing to science and technology literacy through media, education, and public engagement. “It’s been a privilege to help launch so many of these careers. I’ve always believed that when you combine mentorship, meaningful work, and a little creative freedom, you create a ripple effect that lasts for decades.”
Sisler’s own NASA journey began with a Pathways internship at NASA Ames while he was studying journalism at Baylor University in Texas. His work there drew him into visual storytelling, which led him to pursue photography, video, and science photography at the Rochester Institute of Technology in New York. As he alternated semesters between school and NASA Ames, he refined both his interests and his skills.
Sisler’s goal as an internship program coordinator was to help give the next generation of science communicators the same opportunity. He developed a communication “boot camp” to help interns develop their storytelling chops in many areas and figure out which were their favorites.
“All the interesting stuff happens at the intersections of people’s passions,” he said. “The best, most powerful thing I think I’ve done in my time at NASA is to help guide the next wave of science communicators. Seeing their success is the gift that keeps on giving.”
By Ashley Balzer
NASA’s Goddard Space Flight Center, Greenbelt, Md.
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Last Updated Aug 07, 2025 EditorAshley BalzerContactAshley Balzerashley.m.balzer@nasa.govLocationGoddard Space Flight Center Related Terms
People of NASA Ames Research Center Goddard Space Flight Center Internships People of Ames People of Goddard View the full article
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