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New Artemis Virtual Meeting Backgrounds Released Celebrating Artemis I, Looking to Artemis II and Beyond


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Preparations for Next Moonwalk Simulations Underway (and Underwater)

Virtual meetings feeling a little stale? NASA has just unveiled a suite of new Artemis backgrounds to elevate your digital workspace.


From the majesty of the Artemis I launch lighting up the night sky to the iconic image of the Orion spacecraft with the Moon and Earth in view, these virtual backgrounds allow viewers to relive the awe-inspiring moments of Artemis I and glimpse the bright future that lies ahead as the Artemis campaign enables humans to live and work at the Moon’s South Pole region.


Scroll through to download your next virtual background for work, school, or just for fun, and learn about all things Artemis as the agency and its partners cross off milestones leading up to Artemis II and missions beyond.

Artemis I Launch

Framed by vegetation in the foreground and against the backdrop of a black night sky, NASA’s SLS (Space Launch System) rocket carrying the Orion spacecraft launches on the Artemis I flight test on Nov. 16, 2022, from Launch Complex 39B at NASA’s Kennedy Space Center in Florida.
Credit: NASA/Bill Ingalls

NASA’s SLS (Space Launch System) rocket carrying the Orion spacecraft launches on the Artemis I flight test on Nov. 16, 2022, from Launch Complex 39B at NASA’s Kennedy Space Center in Florida. NASA’s Artemis I mission was the first integrated flight test of the agency’s deep space exploration systems: the Orion spacecraft, SLS rocket, and ground systems. SLS and Orion launched at 1:47 a.m. EST from Launch Pad 39B at Kennedy.

Artemis II Crew

Underneath the wording “Artemis II” in white against a black backdrop, the Artemis II crew individual portraits are lined up in pairs from left to right across this virtual background. From left, all wearing bright orange launch-and-entry spacesuits, are Commander Reid Wiseman, Pilot Victor Glover, and Mission Specialist Christina Koch from NASA, and Mission Specialist Jeremy Hansen from the Canadian Space Agency.
Credit: NASA

Meet the astronauts who will fly around the Moon during the Artemis II mission. From left are Commander Reid Wiseman, Pilot Victor Glover, and Mission Specialist Christina Koch from NASA, and Mission Specialist Jeremy Hansen from the Canadian Space Agency.

Astronaut Regolith

An artist’s concept shows two Artemis crew members wearing white spacesuits with large, square life-support system backpacks and round helmets with gold visors on the pebbled gray surface of the Moon. In the foreground, an astronaut holds out a palm-sized lunar sample toward the viewer. A few feet behind the astronaut in the foreground, another crew member uses a camera to take a snapshot aimed at the rocky surface. The scene is backdropped by a black night sky.
Credit: NASA

An artist’s concept of two suited Artemis crew members working on the lunar surface. The samples collected during future Artemis missions will continue to advance our knowledge of the solar system and help us understand the history and formation of Earth and the Moon, uncovering some of the mysteries that have long eluded scientists.

Exploration Ground Systems

Framed by a blue sky and white clouds, NASA’s mobile launcher — a vertical, rectangular structure constructed of gray metal and open scaffolding — seemingly rises into the sky. At the top of the structure is an American flag waving in the wind. The mobile launcher sits atop Crawler Transporter-2 — a flat, square platform that carries heavy structures to the launch pad on tooth-metal wheels, or sprockets, which are commonly seen on tanks. Crawler Transporter-2 also has an American flag affixed to the front, which lies flat against the structure.
Credit: NASA

NASA’s mobile launcher, atop Crawler Transporter-2, is at the entrance to High Bay 3 at the Vehicle Assembly Building (VAB) on Sept. 8, 2018, at NASA’s Kennedy Space Center in Florida. This is the first time that the modified mobile launcher made the trip to the pad and the VAB. The mobile launcher is the structure that is used to assemble, process, and launch the SLS rocket.

Backdropped by a nearly cloudless blue sky, Crawler Transporter-2 — a flat, square platform that carries heavy structures to the launch pad on tooth-metal wheels, or sprockets, which are commonly seen on tanks — dominates the foreground of the image as it moves away from the launch pad. In the background near the right-hand side of the image, and in between two metal tower structures and one metal water tower, NASA’s SLS rocket with Orion spacecraft aboard is seen connected to and in front of the mobile launcher at Launch Pad 39B on Nov. 4, 2022. The orange core stage of the SLS rocket stands out from the white solid rocket boosters at each side and white Interim Cryogenic Propulsion Stage and white Orion capsule topping it.
Credit: NASA/Joel Kowsky

NASA’s SLS rocket with the Orion spacecraft aboard is seen atop a mobile launcher at Launch Pad 39B on Nov. 4, 2022, as Crawler Transporter-2 departs the pad following rollout at NASA’s Kennedy Space Center in Florida.

In this image, at the foreground and in front of the massive USS Portland aircraft carrier ship, is the dark gray Orion capsule bobbing in the ocean after returning from its flight test around the Moon. Directly above the capsule are five visible inflated orange balloons. A large Navy helicopter is seen in a cloud-filled sky as it approaches the spacecraft from overhead.
Credit: NASA

After Orion splashed down in the Pacific Ocean, west of Baja California, the spacecraft was recovered by personnel on the USS Portland from the U.S. Department of Defense, including Navy amphibious specialists, Space Force weather specialists, and Air Force specialists, as well as engineers and technicians from NASA’s Kennedy Space Center in Florida, the agency’s Johnson Space Center in Houston, and Lockheed Martin Space Operations. Personnel from NASA’s Exploration Ground Systems led the recovery efforts.

Backdropped against the pastel hues of a dawn sky, at left in the image is the Vehicle Assembly Building, a square, windowless building with gray accents and an enormous, painted American flag next to another painted NASA insignia, nicknamed the “meatball.” At right, the towering, interconnected structures of NASA’s crawler transporter, mobile launcher, and SLS rocket with Orion spacecraft atop roll out toward Launch Complex 39B for the first time on March 17, 2022, at NASA’s Kennedy Space Center in Florida. The scene is framed by shadowed vegetation and a large body of water in the foreground.
Credit: NASA/Keegan Barber

NASA’s SLS (Space Launch System) rocket with the Orion spacecraft aboard is seen atop a mobile launcher as it rolls out to Launch Complex 39B for the first time on March 17, 2022, at NASA’s Kennedy Space Center in Florida. At left is the Vehicle Assembly Building.

First Woman

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Credit: NASA

“First Woman” graphic novel virtual background featuring an illustration of the inside of a lunar space station outfitted with research racks and computer displays. To learn more about the graphic novel and interactive experiences, visit: nasa.gov/calliefirst/

virtual-backgrounds-review-110424-page-1
Credit: NASA

“First Woman” graphic novel virtual background featuring the illustration of the inside of a lunar space station outfitted with research racks and computer displays, along with zero-g indicator suited rubber duckies floating throughout. To learn more about the graphic novel and interactive experiences, visit: nasa.gov/calliefirst/

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Credit: NASA

This “First Woman” graphic novel virtual background features an illustrated scene from a lunar mission. At a lunar camp, one suited astronaut flashes the peace sign while RT, the robot sidekick, waves in the foreground. To learn more about the graphic novel and interactive experiences, visit: nasa.gov/calliefirst/

Gateway

Above a small section of the Moon’s cratered and pock-marked upper sphere, the Gateway space station hosting the Orion spacecraft and SpaceX’s deep space logistics spacecraft is seen hovering at top right in the image while in a polar orbit around the Moon. Against the pitch-black backdrop, darkened solar arrays highlighted with a golden mesh pattern are oriented north and south at the front, or far left, of the space station. Gateway is a long white-and-gray tubular structure with an east-west orientation within the image, with the triangular-shaped Orion capsule docked to the far right of it — the spacecraft’s four white solar arrays evenly outstretched in the shape of an “x.”
Credit: NASA

The Gateway space station hosts the Orion spacecraft and SpaceX’s deep space logistics spacecraft in a polar orbit around the Moon, supporting scientific discovery on the lunar surface during the Artemis IV mission.

Dominating the frame of this background is the Gateway space station’s HALO (Habitation and Logistics Outpost) module, a giant silver-colored metal tunnel formed of segments welded together. A light source at the end of the tunnel shines toward the viewer, illuminating a grid-like pattern within the metallic sections. At each side, two large portholes open to the outside. HALO is seen here within a large building in Turin, Italy, where it was welded and tested.
Credit: Northrop Grumman and Thales Alenia Space

The Gateway space station’s HALO (Habitation and Logistics Outpost) module, one of two of Gateway’s habitation elements where astronauts will live, conduct science, and prepare for lunar surface missions, successfully completed welding in Turin, Italy. Following a series of tests to ensure its safety, the future home for astronauts will travel to Gilbert, Arizona, for final outfitting ahead of launch to lunar orbit. Gateway will be humanity’s first space station in lunar orbit and is an essential component of the Artemis campaign to return humans to the Moon for scientific discovery and chart a path for human missions to Mars.

Lunar Surface

In this artist’s concept, the SpaceX Starship human lander stands on the gray, undulating surface of the Moon against a jet-black backdrop. The lander is almost all white except for black accents near its “legs” and a thin black stripe near the top of the conical rocket. Above the thin black stripe is a miniature American flag and NASA worm insignia. Near the top of the lander is a row of 10 illuminated windows in a softened rectangular shape. A black “x” SpaceX insignia marks the bottom of the lander.
Credit: SpaceX

Artist’s concept of SpaceX Starship Human Landing System, or HLS, which is slated to transport astronauts to and from the lunar surface during Artemis III and IV.

In this artist’s concept, two crew members in white spacesuits — one kneeling, another standing — work on the gray lunar surface of the Moon to the right of Blue Origin’s Blue Moon MK-2 lander. Comprised of three connected elements in a shape reminiscent of a wide rocket ship, the lander concept is white, with a NASA meatball logo near the top and an American flag near the bottom portion. Metallic gold legs buttress out from the bottom of the lander to give it stability on the uneven regolith. In the distance is slightly undulating lunar terrain and Earth, partially hidden in shadow, rising above the lunar horizon.
Credit: Blue Origin

Artist’s concept of Blue Origin’s Blue Moon MK-2 human lunar lander, which is slated to land astronauts on the Moon during Artemis V.

Driving into the frame at the left of the virtual background, this concept image shows the “Moon buggy” for NASA’s Artemis missions — the Lunar Terrain Vehicle (LTV) — occupied by two astronauts in white spacesuits and helmets with gold visors. This LTV concept has a silver-colored open metal frame, reminiscent of off-roading sport vehicles, along with deeply grooved tires for traction on the uneven lunar terrain. A NASA insignia decal is on the LTV frame above the left front tire, along with an American flag decal on the frame above the right front tire. In the background, the undulating lunar terrain framed by the pitch-black backdrop of space.
Credit: NASA

The “Moon buggy” for NASA’s Artemis missions, the Lunar Terrain Vehicle (LTV), is seen here enabling a pair of astronauts to explore more of the Moon’s surface and conduct science research farther away from the landing site. NASA has selected Intuitive Machines, Lunar Outpost, and Venturi Astrolab to advance capabilities for an LTV.

virtual-backgrounds-review-110424-page-2
Credit: JAXA/Toyota

An artist’s concept of the pressurized rover — which is being designed, developed, and operated by JAXA (Japan Aerospace Exploration Agency) — is seen driving across the lunar terrain. The pressurized rover will serve as a mobile habitat and laboratory for the astronauts to live and work for extended periods of time on the Moon.

Logo

meatball-color.png?w=2048
Credit: NASA

The NASA “meatball” logo. The round red, white, and blue insignia was designed by employee James Modarelli in 1959, NASA’s second year. The design incorporates references to different aspects of NASA’s missions.

logos.png?w=2048
Credit: NASA

The NASA meatball logo (left) and Artemis logo side by side.

Moon Phases

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Credit: NASA

The different phases of the Moon, shown in variations of shadowing, extend across this virtual background.

Orion

orion-c.png?w=2048
Credit: NASA

On flight day 5 during Artemis I, the Orion spacecraft took a selfie while approaching the Moon ahead of the outbound powered flyby — a burn of Orion’s main engine that placed the spacecraft into lunar orbit. During this maneuver, Orion came within 81 miles of the lunar surface.

orion-b.png?w=2048
Credit: NASA

On flight day 13 during Artemis I, Orion reached its maximum distance from Earth at 268,563 miles away from our home planet, traveling farther than any other spacecraft built for humans.

In this first high-resolution image, taken on the first day of the Artemis I mission, the Orion spacecraft’s service module is seen at left, seemingly framing a slightly blurred Earth to its right with one dark, rectangular solar array. Intricate reddish wires cover the solar array like fine threads. The spacecraft, gleaming white, is slightly shadowed against the black expanse of space.
Credit: NASA

This first high-resolution image, taken on the first day of the Artemis I mission, was captured by a camera on the tip of one of Orion’s solar arrays. The spacecraft was 57,000 miles from home and distancing itself from planet Earth as it approached the Moon and distant retrograde orbit.

Silhouettes

In this virtual background, various scenes from Earth, Moon, and Mars are depicted within the silhouette outlines of three suited astronauts, artistically representing the interconnected nature of human space exploration from low Earth orbit to the Moon and, one day, human missions to Mars.
Credit: NASA

In this virtual background, various scenes from Earth, Moon, and Mars are depicted within the silhouette outlines of three suited astronauts, artistically representing the interconnected nature of human space exploration from low Earth orbit to the Moon and, one day, human missions to Mars.

SLS (Space Launch System)

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Credit: Joel Kowsky

In this sunrise photo at NASA’s Kennedy Space Center in Florida, NASA’s SLS rocket with the Orion spacecraft aboard is seen atop the mobile launcher at Launch Pad 39B as preparations continued for the Artemis I launch.

virtual-backgrounds-review-110424-page-3
Credit: NASA/Joel Kowsky

In this close-up image, NASA’s SLS rocket with the Orion spacecraft aboard is seen atop the mobile launcher at Launch Pad 39B on Nov. 12, 2022, at NASA’s Kennedy Space Center in Florida.

virtual-backgrounds-review-110424-page-3
Credit: NASA/Joel Kowsky

NASA’s SLS rocket with the Orion spacecraft aboard is seen at sunrise atop the mobile launcher at Launch Pad 39B on Nov. 7, 2022, at NASA’s Kennedy Space Center in Florida.

Earth, Moon, and Mars

From left, an artist’s concept of the Moon, Earth, and Mars sharing the jet-black backdrop of space. At far left, a tiny Moon shrouded in shadow, the bottom half gleaming gray and bright white. Below the Moon and slightly off to the right, the bottom half of Earth is visible, showing cloud tops and an oceanic view, with the top covered in shadow. At the very far right of the virtual background, toward the upper quadrant, a partially shrouded Mars is visible. Mars is bigger than the Moon but smaller than Earth in this virtual background, its surface gleaming a rust-colored orange.
Credit: NASA

From left, an artist’s concept of the Moon, Earth, and Mars sharing space. NASA’s long-term goal is to send humans to Mars, and we will use what we learn at the Moon to help us get there. This is the agency’s Moon to Mars exploration approach.  

In this artist’s concept, the upper portion of a blended sphere represents the Earth, Moon, and Mars. The left third of the celestial body is oceanic blue, representing Earth’s oceans. The Earth piece blends into the center portion, which is shown as variations of gray with craters and other surface features reminiscent of the Moon. The Moon piece blends into the right third, which is colored in orange and indicative of Mars.
Credit: NASA

In this artist’s concept, the upper portion of a blended sphere represents the Earth, Moon, and Mars.

An artist’s concept showing, from left, the Earth, Moon, and Mars in sequence. At the left quadrant of the pitch-black background, nearly half of the Earth is shown close up, showing details like deep blue oceans and white clouds on the far-right portion. A shadow covers Earth on the left side. Slightly further in the distance and smaller in size is the Moon in a waxing crescent phase, with most of the Moon in shadow except a bright sliver visible at the right side. Further in distance and smaller in size from the Moon, Mars is also shown in mostly covered in shadow, with only a sliver of the pale orange planet visible at the right side.
Credit: NASA

An artist’s concept showing, from left, the Earth, Moon, and Mars in sequence. Mars remains our horizon goal for human exploration because it is a rich destination for scientific discovery and a driver of technologies that will enable humans to travel and explore far from Earth. 

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Catherine E. Williams

Catherine E. Williams

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      NASA For some people, a passion for space is something that might develop over time, but for Patrick Junen, the desire was there from the beginning. With a father and grandfather who both worked for NASA, space exploration is not just a dream; it remains a family legacy.
      Now, as the stage assembly and structures subsystem manager at NASA’s Marshall Space Flight Center in Huntsville, Alabama, for the BOLE (Booster Obsolescence Life Extension) Program — an advanced solid rocket booster for NASA’s SLS (Space Launch System) heavy lift rocket — Junen is continuing that legacy.
      “My grandfather worked on the Apollo & Space Shuttle Programs. Then my dad went on to work for the Space Shuttle and SLS Programs,” Junen says. “I guess you could say engineering is in my blood.”
      In his role, he’s responsible for managing the Design, Development, Test, & Evaluation team for all unpressurized structural elements, such as the forward skirt, aft skirt, and the integration hardware that connects the boosters to the core stage. He also collaborates closely with NASA’s Exploration Ground Systems at Kennedy Space Center in Florida to coordinate any necessary modifications to ground facilities or the mobile launcher to support the new boosters.
      Junen enjoys the technical challenges of his role and said he feels fortunate to be in a position of leadership — but it takes a team of talented individuals to build the next generation of boosters. As a former offensive lineman for the University of Mississippi, he knows firsthand the power of teamwork and the importance of effective communication in guiding a coordinated effort.
      “I’ve always been drawn to team activities, and exploration is the ultimate team endeavor,” Junen says. “On the football field, it takes a strong team to be successful — and it’s really no different from what we’re doing as a team at NASA with our Northrop Grumman counterparts for the SLS rocket and Artemis missions.”
      As a kid, Junen often accompanied his dad to Space Shuttle launches and was inspired by some of the talented engineers that developed Shuttle. Years later, he’s still seeing some of those same faces — but now they’re teammates, working together toward a greater mission.
      “Growing up around Marshall Space Flight Center in Huntsville, Alabama, there was always this strong sense of family and dedication to the Misson. And that has always resonated with me,” Junen recalls.
      This philosophy of connecting family to the mission is a tradition Junen now continues with his own children. One of his fondest NASA memories is watching the successful launch of Artemis I on Nov. 16, 2022. Although he couldn’t attend in person, Junen and his family made the most of the moment — watching the launch live beneath the Saturn V rocket at Huntsville’s U.S. Space & Rocket Center. With his dad beside him and his daughter on his shoulders, three generations stood beneath the rocket Junen’s grandfather helped build, as a new era of space exploration began.
      In June, Junen witnessed the BOLE Demonstration Motor-1 perform a full-scale static test to demonstrate the ballistic performance for the evolved booster motor. This test isn’t just a technical milestone for Junen — it’s a continuation of a lifelong journey rooted in family and teamwork.
      As NASA explores the Moon and prepares for the journey to Mars through Artemis, Junen is helping shape the next chapter of human spaceflight. And just like the generations before him, he’s not only building rockets — he’s building a legacy.
      News Media Contact
      Jonathan Deal
      Marshall Space Flight Center, Huntsville, Ala. 
      256-544-0034 
      jonathan.e.deal@nasa.gov
      View the full article
    • By European Space Agency
      At the Living Planet Symposium, attendees have been hearing how ESA’s Next Generation Gravity Mission could provide the first opportunity to directly track a vital ocean circulation system that warms our planet – but is now weakening, risking a possible collapse with far-reaching consequences.
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