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Final call to apply to the ESA Student Internship Programme
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By European Space Agency
Video: 01:15:00 Watch the replay of the media information session where ESA Director General Josef Aschbacher and ESA Council Chair Renato Krpoun (CH) brief journalists on the key decisions made during the ESA Council meeting held at ESA Headquarters in Paris on 11–12 June 2025.
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By NASA
4 Min Read NASA Student Challenge Prepares Future Designers for Lunar Missions
At NASA’s Johnson Space Center in Houston, the next generation of lunar explorers and engineers are already hard at work. Some started with sketchbooks and others worked with computer-aided design files, but all had a vision of how design could thrive in extreme environments.
Thanks to NASA’s Student Design Challenge, Spacesuit User Interface Technologies for Students (SUITS), those visions are finding their way into real mission technologies.
NASA’s Spacesuit User Interface Technologies for Students (SUITS) teams test their augmented reality devices at the Mars Rock Yard during the 2025 test week at Johnson Space Center in Houston.
Credit: NASA/James Blair The SUITS challenge invites university and graduate students from across the U.S. to design, build, and test interactive displays integrated into spacesuit helmets, continuing an eight-year tradition of hands-on field evaluations that simulate conditions astronauts may face on the lunar surface. The technology aims to support astronauts with real-time navigation, task management, and scientific data visualization during moonwalks. While the challenge provides a unique opportunity to contribute to future lunar missions, for many participants, SUITS offers something more: a launchpad to aerospace careers.
The challenge fosters collaboration between students in design, engineering, and computer science—mirroring the teamwork needed for real mission development.
NASA SUITS teams test their augmented reality devices at Johnson’s Mars Rock Yard on May 21, 2025.
Credit: NASA/Robert Markowitz SUITS taught me how design can be pushed to solve for the many niche challenges that come with an environment as unique and unforgiving as space.
Keya Shah
Softgoods Engineering Technologist
Keya Shah, now a softgoods engineering technologist in Johnson’s Softgoods Laboratory, discovered her path through SUITS while studying industrial design at the Rhode Island School of Design (RISD).
“SUITS taught me how design can be pushed to solve for the many niche challenges that come with an environment as unique and unforgiving as space,” Shah said. “Whether applied to digital or physical products, it gave me a deep understanding of how intuitive and thoughtfully designed solutions are vital for space exploration.”
As chief designer for her team’s 2024 Mars spacewalk project, Shah led more than 30 designers and developers through rounds of user flow mapping, iterative prototyping, and interface testing.
“Design holds its value in making you think beyond just the ‘what’ to solve a problem and figure out ‘how’ to make the solution most efficient and user-oriented,” she said, “SUITS emphasized that, and I continually strive to highlight these strengths with the softgoods I design.”
Shah now works on fabric-based flight hardware at Johnson, including thermal and acoustic insulation blankets, tool stowage packs, and spacesuit components.
“There’s a very exciting future in human space exploration at the intersection of softgoods with hardgoods and the digital world, through innovations like smart textiles, wearable technology, and soft robotics,” Shah said. “I look forward to being part of it.”
Softgoods Engineering Technologist Keya Shah evaluates the SUITS interface design during the 2025 test week.
Credit: NASA/James Blair For RISD alumnus Felix Arwen, now a softgoods engineer at Johnson, the challenge offered invaluable hands-on experience. “It gave me the opportunity to take projects from concept to a finished, tested product—something most classrooms didn’t push me to do,” Arwen said.
Serving as a technical adviser and liaison between SUITS designers and engineers, Arwen helped bridge gaps between disciplines—a skill critical to NASA’s team-based approach.
“It seems obvious now, but I didn’t always realize how much design contributes to space exploration,” Arwen said. “The creative, iterative process is invaluable. Our work isn’t just about aesthetics—it’s about usability, safety, and mission success.”
Arwen played a key role in expanding RISD’s presence across multiple NASA Student Design Challenges, including the Human Exploration Rover Challenge, the Micro-g Neutral Buoyancy Experiment Design Teams, and the Breakthrough, Innovative, and Game-changing Idea Challenge. The teams, often partnering with Brown University, demonstrated how a design-focused education can uniquely contribute to solving complex engineering problems.
“NASA’s Student Design Challenges gave me the structure to focus my efforts on learning new skills and pursuing projects I didn’t even know I’d be interested in,” he said.
It seems obvious now, but I didn’t always realize how much design contributes to space exploration. The creative, iterative process is invaluable. Our work isn’t just about aesthetics—it’s about usability, safety, and mission success.
Felix Arwen
Softgoods Engineer
Softgoods Engineer Felix Arwen tests hardware while wearing pressurized gloves inside a vacuum glovebox. Both Arwen and Shah remain involved with SUITS as mentors and judges, eager to support the next generation of space designers.
Their advice to current participants? Build a portfolio that reflects your passion, seek opportunities outside the classroom, and do not be afraid to apply for roles that might not seem to fit a designer.
“While the number of openings for a designer at NASA might be low, there will always be a need for good design work, and if you have the portfolio to back it up, you can apply to engineering roles that just might not know they need you yet,” Arwen said.
SUIT teams test their augmented reality devices during nighttime activities on May 21, 2025.
Credit: NASA/Robert MarkowitzNASA/Robert Markowitz As NASA prepares for lunar missions, the SUITS challenge continues to bridge the gap between student imagination and real-world innovation, inspiring a new wave of space-ready problem-solvers.
“Design pushes you to consistently ask ‘what if?’ and reimagine what’s possible,” Shah said. “That kind of perspective will always stay core to NASA.”
Are you interested in joining the next NASA SUITS challenge? Find more information here.
The next challenge will open for proposals at the end of August 2025.
About the Author
Sumer Loggins
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Last Updated Jun 10, 2025 Related Terms
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By NASA
Video Producer – Goddard Space Flight Center
What sparked your interest in video production, and what drew you to NASA?
Ever since I saw “Star Wars” at nine years old, I knew I wanted to make movies. I would make little stop action videos with my action figures.
How did you land this role at NASA, and what do your duties entail?
I was working with a company in New York for about eight years, producing a daily live interactive show on Facebook. I’ve always been obsessed with NASA, so when I saw the job opportunity I knew I had to take a shot. To this day I still can’t believe how lucky I am to work here. I’ve been working with the Hubble mission for the past five years, but I’ve begun to work on other missions like the James Webb Space Telescope, MAVEN (Mars Atmosphere and Volatile EvolutioN), Osiris-REx (Origins, Spectral Interpretation, Resource Identification, and Security – Regolith Explorer), and the incredible Nancy Grace Roman Space Telescope.
Paul Morris is a video producer at NASA’s Goddard Space Flight Center in Greenbelt, Md. His work brings the cosmos to the screen, turning space science into cinematic wonder.Credit: Courtesy of Paul Morris How has your style evolved over time?
My previous job was very steeped in “internet culture,” so it was a lot more fast-paced and crazy style videos. The main goal was to get the audience to watch past the ad break. With NASA I’ve been able to slow down my videos a bit more and focus more on quality and explaining the science result.
Paul has covered several NASA missions, including the James Webb, Hubble and upcoming Roman space telescopes. He translates scientific discoveries into exciting visual stories to connect broad audiences with NASA’s work.Credit: Courtesy of Paul Morris What guides your process when you start a new assignment?
Let me be clear, I feel that all astro science is super cool and interesting. However, some of it is less interesting to the general public. Therefore, the first thing I think about when approaching a potential new story is by asking the question: “Would a fifth grader think this story is awesome?” Black holes, giant explosions, stars dying…if the story is there then the imagery will be there too.
Part of Paul’s role as video producer involves interviewing scientists and other experts, drawing out insights that make complex topics more understandable.Credit: Courtesy of Paul Morris What’s been your favorite project so far?
A few years back, Hubble just celebrated the 30th anniversary of the first servicing mission, (the one that corrected the mirror flaw). I got to interview some of the biggest Hubble legends of all time and created a seven-part series from the perspectives of all of these genius engineers, scientists, and even astronauts. I was super proud of how all those videos came out.
Do you have any major goals you hope to achieve or projects you’d like to tackle someday?
I’d love to do a full-length movie following a project from its conception to its deactivation. Obviously, this is rather hard to do and will take years, potentially decades, but there are a few projects that are on the “ground floor” at the moment, so I’d love to just check in with them every year or so.
How has your work influenced your understanding or appreciation of space science and technology?
I’ve been absolutely obsessed with all things NASA since around third grade, so I’ve always loved space science and technology. However, I had no idea how much the technology of space telescopes has led to incredible advances in Earth technologies. From Olympic speed skating to breast cancer research or saving whale sharks, there’s just such a huge return on investment with NASA research.
Paul poses between Hubble astronauts John Grunsfeld (left) and Michael Good (right) at NASA’s 10th anniversary celebration of the Hubble servicing mission 4.Credit: Courtesy of Paul Morris Where do you draw inspiration from?
The incredibly talented and creative people I work with always make me strive to make better videos.
What hobbies fill your time outside of work?
I’ve gotten really into running and CrossFit since Covid. I also direct plays from time to time at a local theatre near my house.
In addition to producing videos, Paul participates in outreach events to inform the public about NASA space missions.Credit: Courtesy of Paul Morris What advice do you have for others who are interested in doing similar work?
Always look for ways to add to your creative skillset. There are a lot of amazing training options available online, and there’s always something new you can do to make yourself even better than you are today.
By Ashley Balzer
NASA’s Goddard Space Flight Center in Greenbelt, Md.
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Last Updated Jun 09, 2025 Related Terms
People of NASA Hubble Space Telescope James Webb Space Telescope (JWST) MAVEN (Mars Atmosphere and Volatile EvolutioN) Nancy Grace Roman Space Telescope OSIRIS-REx (Origins, Spectral Interpretation, Resource Identification, Security-Regolith Explorer) People of Goddard View the full article
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By European Space Agency
The European Space Agency’s (ESA) newest planetary defender has opened its ‘eye’ to the cosmos for the first time. The Flyeye telescope’s ‘first light’ marks the beginning of a new chapter in how we scan the skies for new near-Earth asteroids and comets.
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